Secrets of the Dinosaur Mummy - Sept. 13, 2008

ON SCREEN:
SECRETS OF THE DINOSAUR MUMMY
SUNDAY; DISCOVERY CHANNEL

BOTTOM LINE:
THE STORY IS JUST STARTING.

Mummy dearest

After 40 years of digging for dinosaurs,
Dr. Robert Bakker thought he had seen
everything. Then, he got to meat Leonardo.


By Eric Kohanik

As far as scientific discoveries go, Leonardo was pretty well a paleontologist’s dream come true.

In fact, he was the ultimate dream come true.

Leonardo is a 77-million-year-old dinosaur that was discovered in Montana about eight years ago. What made him so different, though, was that this dinosaur was almost fully intact. In fact, 90 per cent of his mummified body was still covered by skin.

Leonardo was a young Brachylophosaurus – a four-legged, plant-eating, duck-billed dinosaur who was only about three or four years old when he died. But his discovery has led to completely new hypotheses o fhow dinosaurs lived.

Leonardo gave paleontologists the chance to come up with the first reconstruction of a giant dinosaur that was absolutely accurate, both on the outside and on the inside. All of which has made him the most important dinosaur discovery in history.

After about 40 years of digging for dinosaurs, Dr. Robert Bakker thought he had pretty well seen everything. Of course, that was before Bakker – known as “the high priest of paleontology” – met Leonardo.

That story is part of what lies at the core of Secrets of the Dinosaur Mummy, a new Discovery Channel special that Bakker likes to describe as “sort of ER meets CSI meets Jurassic Park – but funny.”

Almost as intriguing as the story of Leonardo’s discovery is the story of what made the discovery possible – “the CSI part,” as Bakker refers to it.
“The CSI part, to me, is the most puzzling,” he explained to reporters in Los Angeles back in July. “I look at Leonardo and want to understand how it died. And how was it buried? And how was the corpse preserved? How was it protected from all the scavengers that like to burrow in and eat it?” Secrets of the Dinosaur Mummy uses dramatic re-creations and computer animation to answer many of those questions and to retrace much of Leonardo’s story – everything from what killed him to even what he ate just before he died.

“This is really the specimen that’s going to change paleontology,” proclaims Michael Jorgensen, the producer who wrote and directed the hour-long high-definition TV special. “It’s a new dividing line in the sand. I really believe, after this, it will be sort of ‘pre-‘ and ‘post-Leonardo’ because now we have not just the bones. Now, we have an entire body."

In the end, though, Secrets of the Dinosaur Mummy only scratches the surface of the forensic investigation of Leonardo. As one of the program’s experts points out, the story of Leonardo is far from over.

In fact, if Secrets of the Dinosaur Mummy proves anything, it’s that this is a story that is only just beginning.

Fall Preview 2008 - Sept. 6, 2008

ON SCREEN:
THE NEW FALL TV SEASON

BOTTOM LINE:
THEY MUST BE SAVING THE BEST STUFF FOR MIDSEASON.

Channel hopping

The writers' strike derailed TV networks last season. This fall is all about getting things back on track and viewers back on board.


By Eric Kohanik

Last season’s writers’ strike really did knock the stuffing out of the TV industry, in a lot of ways.

That is about to become obvious as a new TV season gets rolling.

For some networks, the 2008 fall season will be a lot about relaunching shows that actually premiered in the 2007 fall season. Chief among them are series that never did return with new episodes after the strike.

So, count on big relaunches for series like Pushing Daisies, Private Practice and Dirty Sexy Money (all returning Oct. 1; ABC, A).

Then, there were the midseason shows that arrived during or after the writers’ strike. Although many of those were marginal ratings performers, network executives figured some were worth hanging onto. So, there will be lots of drum beating going on to stir up renewed interest in shows like Lipstick Jungle (returning Sept. 24; NBC, Citytv) and Eli Stone (returning Oct. 14; ABC, A).

For some TV series, meanwhile, the new fall season will be all about saying goodbye. So, look for the launch of the farewell seasons of such TV veterans as The Shield (returning Sept. 9; Showcase), Boston Legal (returning Sept. 22; ABC, E!), ER (returning Sept. 25; NBC, CTV) and, yes, even Royal Canadian Air Farce (returning Oct. 3; CBC).

But what about any fantastic new shows?

Uh, don’t count on a bumper crop of those this fall. Maybe networks are just waiting to harvest their best new stuff midseason.

That may work out in the end, since viewers often complain that they don’t really have time to add many new shows to their stable of favourites in the fall.

If you do have room for only one new drama in your fall TV viewing planner, try Simon Baker’s stint as The Mentalist (premiering Sept. 22; A and Sept. 23; CBS). It’s a good show that casts Baker as a former TV psychic who helps police solve crimes.

If you’re craving a clever new comedy, try Kyle Bornheimer‘s travails in Worst Week (premiering Sept. 22; CBS, E!). You just can’t help but like a show where the main character keeps having worse luck than you do.

And if you are simply missing the competitive juices of So You Think You Can Dance, there’s a whole gaggle of Canadians hot to (fox) trot on the new So You Think You Can Dance Canada (starting Sept. 11; CTV).

Of course, if you subscribe to pay TV, you’re really in luck. As well as great returning shows, pay TV is where the good stuff is really showing up this fall.

Vampire fans will adore HBO’s True Blood (premiering Sept. 7; The Movie Network, Movie Central). And, when it comes to sketch comedy, there’s nothing funnier than oddballs Matt Lucas and David Walliams re-inventing their wacky material for the new Little Britain USA (premiering Sept. 29; The Movie Network, Movie Central).

So, there you have it – the bottom line on the new season. Happy channel hopping!