Saturday, March 10, 2007

Andy Barker, P.I. - March 10, 2007





ON SCREEN:
ANDY BARKER, P.I.
Premiering Thursday; NBC


BOTTOM LINE:
MAYBE THE THIRD TIME WILL BE A CHARM.


Side By Side

Andy Richter hasn't exactly done a lot of memorable stuff on TV lately. At least he still has Conan O'Brien pitching for him.

By Eric Kohanik

I’ve always thought that Andy Richter made a huge mistake when he left Late Night with Conan O’Brien back “in the year 2000.”

As Conan O’Brien’s sidekick, Richter had been a nutty presence on Late Night since 1993. And the pair of them came up with some of the most outlandish – and fun– bits ever seen on latenight talk shows.

But Richter wanted to focus on an acting career instead. The decision resulted in a handful of forgettable movie roles and TV guest stints, not to mention a couple of his own unsuccessful comedy series – a clever effort called Andy Richter Controls the Universe and a stinker called Quintuplets.

The third time might be a charm for Richter, though. He gets another shot at prime time this week via Andy Barker, P.I., a new comedy series that casts Richter in the title role of a struggling accountant who reluctantly ends up as a private investigator after he rents an office that had previously been occupied by a real detective.

It was actually O’Brien who threw a lifeline to his old sidekick with this series. O’Brien and fellow executive producer Jonathan Groff had initially sold NBC on the idea of the show before they thought about getting Richter to star in it.

“Jon Groff and I had been talking about this storyline without Andy in mind,” O’Brien revealed during a press session in Los Angeles. “We were talking for a while about it when we both had the same thought, which is, ‘We’re talking about Andy Richter!’”

Although Richter insists that his two previous series failures haven’t made him gun shy, he does acknowledge some trepidation.

“I do have sort of a survivor’s syndrome,” Richter concedes. “I cannot enjoy or like anything that I’m involved in because [I feel] it will just get murdered. I just finally thought, ‘Well, whatever happens, happens. All we can do is make the show that we’regoing to make.’ And I feel like this is the best primetime work I’ve ever done.”

If Andy Barker, P.I. doesn’t survive, it won’t be for the lack of opportunity, or a decent timeslot. NBC has put the show into its Thursday lineup, nestled between Scrubs and ER in the berth formerly occupied by Tina Fey’s comedy, 30 Rock (which is taking a break).

As for whether Richter finally has what i ttakes to be a big success on primetime TV, only time will tell. But at least Richter still has his old pal, O’Brien, faithfully by his side.

“I don’t know what makes anybody a series star,” O’Brien says. “To me, Andy has always been one of the most likable presences that I’ve seen on television. You see Andy on TV and you like him. I think he’s a terrific actor; he’s very funny. And I think, in this show, he’s the heart of the show. He’s trying to do the right thing.

“I know that I’m not giving you the wise-ass answer, but I think that’s where it starts.”

Saturday, March 03, 2007

The Wedding Bells - March 03, 2007





ON SCREEN:
THE WEDDING BELLS
Premiering Wednesday, then moving to Fridays; Fox


BOTTOM LINE:
A FINE RECEPTION.


Tales from the quipped

David E. Kelley has always had a knack for telling funny stories. And he has plenty of funny stories to tell when it comes to The Wedding Bells.

By Eric Kohanik

Executive producer David E.Kelley knows there are some funny wedding stories out there.

In fact, the tale of his own wedding – in 1993, to actress Michelle Pfeiffer – is one of them.

“The funniest part about my wedding is that I had absolutely nothing to do with it,” Kelley quips during a press conference with reporters and TV critics in Los Angeles. “My wife was so sensitive to the idea that paparazzi might invade the process and ruin it that she kept all the details secret from everybody – including me.

“I remember sitting ‘backstage,’ if you can call it that, right before I was about to walk down the aisle – and not having any idea what was about to happen! I thought, ‘I wonder if I’m losing control of my life by getting married.’ But it worked out well.”

It certainly did. So, too, has the way Kelley tends to spin his yarns. His dry personal wit and humour have always struck a favourable chord with me. So have the many quirky elements that have come to be the trademarks of his TV shows.

A former lawyer in Boston, Kelley’s work in the TV world began with him writing for L.A. Law back in the 1980s. He then moved on to create some of the most memorable series on TV: Doogie Howser, M.D., Picket Fences, Chicago Hope, The Practice, Ally McBeal, Boston Public – and, of course, his current TV fixture, Boston Legal.

Kelley’s new project is The Wedding Bells, a comedy-drama that teams Teri Polo, KaDee Strickland and Sarah Jones as the Bell sisters, a trio of wedding planners whose bridal business tends to attract offbeat characters.

Regular viewers of Boston Legal will surely detect some familiar faces in The Wedding Bells. (Look for Delta Burke, who recently did a guest arc on Boston Legal, to pop up in the opener.)

Familiar faces have become a recurring element in Kelley’s series, for a number of reasons. “There are some times a role is written and I know an actor’s rhythms and talents and want to go back because I feels afe with that actor,” he explains. “Other times, it’s just through the casting process and the casting director will say, ‘This particular actor you’ve worked with before is perfect for this role,’ and I’ll agree or won’t agree. But the truth is you take the talent wherever you can find it.”

Well, not everywhere. Although Kelley has drawn on a proven talent pool for The Wedding Bells, his wife never seems to be part of that pool.

Naturally, it’s another funny story.

“Well, I think it’s best that we have divergent paths,” Kelley says, a wry smile creeping across his face. “She’s a bit controlling with her career and what she likes to do. And I’m a bit controlling in mine.

“I like to be senior management – and that never, never happens in her company.”