Showing posts with label fx. Show all posts
Showing posts with label fx. Show all posts

Saturday, September 27, 2008

Boston Legal / The Shield / ER - Sept. 27, 2008



ON SCREEN:
BOSTON LEGAL
MONDAYS; ABC, E!
THE SHIELD
TUESDAYS; SHOWCASE
ER
THURSDAYS; NBC, CTV





The long goodbye

A lot of new TV series will fall by the wayside 
this season. But there are three trusty veterans 
that are on their way out, too.


By Eric Kohanik

Call it “the long goodbye.”

The fall season is barely under way. And, by the time Thanksgiving rolls around (either the Canadian or American one), a number of new series will have bitten the dust. It’s just the way TV does business.

But this season will also say goodbye to some trusty veterans. And the TV landscape will be a little less vibrant without them.

Boston Legal will close the law offices of Crane, Poole & Schmidt for good after the 13 episodes of its fifth season finish up their run. This is a comedy/drama that has always been one of ABC’s most underappreciated shows – by viewers and network bosses – ever since its debut in October 2004.

A spinoff of a much more serious legal drama called The Practice, the saga of lawyers Alan Shore (James Spader), DennyCrane (William Shatner) and the rest of their colourful crew started off on Sunday nights, in the primo slot after Desperate Housewives. The show was elbowed out of the way midseason by ABC, which wanted to introduce viewers to a hot new medical drama: Grey’s Anatomy.

Of course, Grey’s Anatomy caught on and Boston Legal was shelved, returning the next fall on Tuesdays before being shuffled to Wednesdays and then back to Tuesdays.

This season, it airs on Mondays. At least it has Dancing With the Stars as a lead-in.

Maybe ABC brass never got Boston Legal’s offbeat sense of humour. Or maybe the occasional pink-flamingo costume simply hit too close to home. In any case, we’ll miss Denny and Alan’s Scotch-and-cigars ritual at the end of each episode.

Over in the cable world, the transgressions of Vic Mackey (Michael Chiklis) and his unorthodox squad of cops have been simply mesmerizing ever since The Shield made its debut in 2002. Finding where they were has often been a difficult task, though.

Although The Shield enjoyed a steady American cable home on FX, it was bounced around on broadcast and cable channels in Canada before landing on Showcase, where it is now serving up its seventh season.

Producers and actors say Mackey will finally get what he deserves when the final 13 episodes wrap up in November. Just what he deserves, though, is still debatable.

When it comes to TV longevity, though, there aren’t many series with the staying power of NBC’s ER. When it began in 1994, few predicted that the action inside Chicago’s fictional County General Hospital would win the head-to-head clash with CBS’s rookie hospital drama, Chicago Hope. Even fewer could ever have foreseen that ER would last for 15 seasons, thanks to ongoing transfusions of new acting blood.

Some of the old blood – like Dr. John Carter (Noah Wyle) – will be back for ER’s farewell crop of caseloads. Even so, there’s no escaping the fact that “the long goodbye” will finally fill the halls of County General, too.

Saturday, May 05, 2007

The Riches - May 5, 2007



ON SCREEN:
THE RICHES
PREMIERING WEDNESDAY; SHOWCASE (CANADA)

BOTTOM LINE:
DRAMATIC, DARK AND DELICIOUS


American dreamers

The Riches is a dark drama series
about a family of con artists.
You just never know what's going on
with the folks next door.


By Eric Kohanik

Some call them “gypsies.” Others refer to them as “tinkers” or “travellers.”

Most of us would simply know them as con artists.

Meet Wayne and Dahlia Malloy. They’re an average-looking American couple (played by British actors Eddie Izzard and Minnie Driver) with three wholesome-looking American kids. The Malloys are making their way across the countryside in a mobile home. But things aren’t always as they seem.

Actually, in the case of the Malloys, things are never as they seem. So, when Wayne shows up at a high-school reunion in the opening scene of The Riches, you soon realize he is up to no good.

The Riches is a difficult series to sum up. Just know that it’s dramatic. It’s dark. It’s deliciously good. And you should watch it.

As the opening episode progresses, there are some twists of fate that befall the Malloys. For starters, Dahlia has been in the slammer and is just getting out. She also has a nasty little crack habit, which doesn’t help. 

After a violent run-in on the road with members of Dahlia’s extended family, the Malloys narrowly escape a car crash with a couple named Doug and Cherie Rich – who, as it turns out, are moving to a new house they’ve bought in Louisiana. 

The Riches never make it because they die in the crash. So, the Malloys do what they do best. They rob the bodies of their belongings. They assume Doug and Cherie’s identities. And they try to escape their past and pursue a new American dream.

The Riches is the creative brainchild of Dmitry Lipkin, a Russian-born playwright who first pitched his idea a few years ago.

“I wanted to write a show about a family who pretends to be someone they’re not,” Lipkin recalled during a press conference in Los Angeles. “I always felt that’s sort of what I was doing in my own life.” 

Immigrating to the United States when he was 10, Lipkin’s family settled in Louisiana. His upbringing in the swampy South made him want to “capture that oddness and that kind of outside perspective on America.”

According to Lipkin, there are 20,000 to 30,000 known “travellers” in the U.S. Their existence intrigues him.

“It’s just a fascinating idea,” he says. “In a time where everybody’s ‘on the grid,’ these guys are off the grid completely.” 

The opening episode of The Riches does a good job of exploring the subculture of “travellers” and their sense of morality, while future episodes delve into the culture clash that arises between the Malloys – er, make that the Riches – and their unsuspecting neighbours.

“We know this exists,” Izzard says. “For year after year, you can be next door to someone, and you don’t know what’s going on with them.

“So, check your next-door neighbours.”