Defiance returns

ON SCREEN:

DEFIANCE
Showcase -- Thursdays, beginning June 19


Defiance

Julie Benz Gets Set To Take
Her Character Down
A Darker Path As "Defiance"
Rolls Out Its Second Season

By Eric Kohanik 

Somehow, the future never seems to be pretty in the world of science-fiction TV shows. And Julie Benz says there are good reasons for that.

“I think, with the sci-fi genre, we're able to explore issues that we're all faced with today,” the 42-year-old actress points out. “We're able to explore them in a deeper, darker way.”

Benz is no stranger to the deeper, darker realm of the horror/thriller/sci-fi genre. Perhaps still best known for her role as Rita on Dexter, her TV credits also include such other gems as Roswell, Supernatural, Buffy The Vampire Slayer and Buffy's spinoff/sequel, Angel.

“I love working in 'genre' material, I really do,” says Benz. “The given circumstances are so extreme that they really challenge you, as an actor, to bring them to life and make them believable. And that is exciting.”

Benz's most recent “genre TV” job has been in Showcase's sci-fi adventure, Defiance. Filmed in Toronto, the series is set in a radically transformed Earth in the not-too-distant future, where the city of St. Louis has been renamed as Defiance, a town where humans and extraterrestrial species manage to live side by side.

Much of the core action in Defiance revolves around Joshua Nolan, played by New Zealand native Grant Bowler. Nolan is a former marine who became the town's chief lawkeeper during the show's first season. At Nolan's side for much of the show has been his adopted alien daughter, Irisa, played by English actress Stephanie Leonidas. Others in the cast include Canadian actors Graham Greene and Jesse Rath.

The Pittsburgh-born Benz plays Amanda Rosewater, the mayor of Defiance who ended up losing her bid for re-election as the series wrapped up its first season. The show's season finale also saw the disappearance of Irisa, as well as Amanda's sister, Kenya (Canadian actress Mia Kirshner).

According to Showcase, Defiance was the channel's No. 1 program in 2013. The series kicks off its second season on June 19 (moving to Thursday nights this season), with the residents of Defiance in turmoil in the aftermath of the town election.

Meanwhile, Nolan is out in the badlands on a quest to find the missing Irisa, a storyline that the show's producers have already been priming viewers for online (on Showcase.ca), via five “webisodes” entitled Defiance: The Lost Ones.

As the new season of Defiance opens, Amanda is setting off on a journey of her own as well, embarking on “a much darker path,” according to Benz. “Amanda starts in a completely different place than where she ended at the end of Season 1,” she explains. “Her sister disappeared. She lost her job. And she has to redefine herself in a town that is redefining itself. It's nine months later and she's really struggling. She's having a hard time. You get to see her start to unravel a bit.”

Although Amanda is no longer the mayor of Defiance, that won't necessarily keep her out of the political scene. “I don't think Amanda could ever be separated from the town,” Benz laughs. “I think the town is always a part of her. Her love for the town of Defiance is always going to be present, no matter what role she has in the town. I don't think she could ever fully be away from the politics of the town.”

Benz has been pleased with the fan response to the first season of Defiance. She has also been pleased with her character's journey on the show.

“I love Amanda's strength,” says Benz. “And that she's still feminine but very strong. She is basically surviving in a very masculine world. Even though she's the heroine, she's not perfect. She's deeply flawed. She's an alcoholic. She obviously has commitment issues. She's very controlling. Sometimes, her idealism gets in the way. She's extremely flawed, but she's still a woman. We don't really see many female characters that can be as flawed as she is and still be loved.”

Defiance – Showcase – Thursdays, beginning June 19

(Published in Channel Guide Magazine -- June 2014.)

Unusually Thicke

ON SCREEN:

UNUSUALLY THICKE
Slice -- Wednesdays


Unusually Thicke

Alan Thicke Offers Viewers 
A Peek Behind The Curtain

By Eric Kohanik 

Alan Thicke likes to keep busy. And he has come up with lots of ways to do that.

“I describe it as a 'productive insecurity,'” the 67-year-old native of Kirkland Lake, Ont. jokes over the telephone from his ranch in Santa Barbara, Calif. “You don't wait for the phone to ring. You have to be proactive and you go out and try to create things.

“My background was as a writer. That was the first thing that I was really able to make a living at. Consequently, I've always been able to create some credible pitch or idea that would, at the very least, garner some meetings and put you in the right offices. I never took it for granted that I could be in the gym or by the pool and get 'that call.' I was out promoting and creating. And much of what I tried to do in that vein, fortuitously, got green-lighted. So, it's given me a good life.”

Thicke's accomplishments are numerous, ranging from credits as a writer (Fernwood 2-Night), game-show host (Pictionary) and talk-show emcee (The Alan Thicke Show, Thicke of the Night) to theme-song composer (Diff'rent Strokes, The Facts of Life), sitcom actor (Growing Pains, Hope & Gloria, How I Met Your Mother) and even reality-show participant (Celebrity Wife Swap).

Thicke's latest idea goes back into the world of reality shows – or, rather, pseudo-reality shows. He admits that a show capitalizing on the popularity of his son, singer Robin Thicke, would have been “an easy sale,” but he opted for something different: Unusually Thicke, a series for the Slice network in Canada that was also picked up by the TV Guide Network in the U.S.

Although it does feature cameo appearances by Robin as well as Thicke's eldest son, Brennan, Unusually Thicke is a reality/sitcom hybrid about Thicke's day-to-day life with his third wife, 39-year-old Bolivian-born fashion model Tanya Callau. Rounding out the show's core is Carter Thicke, the 16-year-old son from his second marriage.

“We always knew that we had kind of a Modern Family cast here,” Thicke explains. “We had the older, more reserved patriarch. We had the hot Latin wife, decidedly younger. And we had a cool, envelope-pushing teenager. That was the basis for us saying, 'Well, what could we do with this group that would make sense?'”

According to Thicke, several people were “sniffing around” with reality-show ideas. “We kind of held out for what I thought would be a more original, inventive, challenging format,” he says. “That was to combine the real-family 'cast' with a sitcom format. I thought if we took real stories from our real lives and embellish those in a story-telling format such as a sitcom, then maybe we'd have something that's a little different, a little bit of a hybrid.”

The dialogue in Unusually Thicke is not scripted, but episodes are mapped out to enhance storylines. “We had to plan a lot of scenes in order to tell stories instead of just letting stories happen,” Thicke explains. “We wanted to be proactive storytellers, not passive storytellers.”

Thicke also wanted to set the record straight on his family life. “It really does kind of pull back the curtain on much more of Alan Thicke in real life than Alan Thicke the sitcom actor,” he says. “I think that people who see this family together, some will be surprised. I'm clearly older than my wife and we deal with things and have situations which are not typical. Our age difference does create challenges.

“I like to think that I'm grounded enough from my family history in Kirkland Lake to appreciate where I came from and try to teach my kids that sense of normalcy or decency or gratitude. But we are clearly living the good life here and I think part of the challenge here is how you balance all of those opportunities and influences.”

Unusually Thicke – Slice – Wednesdays

(First published in Channel Guide Magazine -- May 2014.)

Colin & Justin's Cabin Pressure

ON SCREEN:

COLIN & JUSTIN'S CABIN PRESSURE
Cottage Life Television -- Tuesdays

(Cottage Life Television's national free preview
continues until May 31.)

Northern Exposure

"Colin & Justin's Cabin Pressure" Takes The Scottish Design Duo To New Highs (And Lows) 

By Eric Kohanik 

Eastern Canadians tend to call them cottages; Westerners tend to refer to them as cabins. 

By any name, though, there are common elements. Vacation homes can be fabulous. They can also mean a lot of unexpected work – and expense.
Colin McAllister and Justin Ryan have certainly discovered that in their latest TV adventure. Although May usually heralds the opening of cottage season across Canada, McAllister and Ryan have already been priming viewers steadily since mid-March via Colin & Justin's Cabin Pressure, a sometimes-misadventurous joyride into the world of cottage ownership. 

Canadians have been familiar with the 46-year-old McAllister and the 47-year-old Ryan through various avenues. Longtime fixtures on British TV, the Scottish design duo brought their flair to North America a few years ago, using Canada as the production base for an HGTV series called Colin & Justin's Home Heist. That led to “Colin & Justin Home,” a line of housewares and lifestyle products that have found shelf space in Winners, HomeSense and Marshalls stores across Canada. 

The merry Scotsmen now have their focus back on Canadian TV screens. This time, though, that focus has migrated north. Colin & Justin's Cabin Pressure follows McAllister and Ryan to the shores of Ontario's Lake Muskoka, where they took the considerable plunge of buying (with the help of close friends named Cherri and David) and renovating a log-cabin-style cottage into a dream vacation home.

“It's been a total labour of love,” McAlister says. “Looking back on it, we're just so, so excited. You own a cottage and you just become so invested in it. And I think that's something that Justin and I are very keen to get across on the show.”

Already familiar with the posh Muskoka region from previous vacations, McAllister and Ryan opted to pool their financial resources with their friends in order to buy in. After attending a Cottage Life consumer/trade show in Toronto to learn about cottage ownership, they ended up appearing at a subsequent edition of that show to talk about their plans. That, in turn, led the fledgling Cottage Life television network to approach McAllister and Ryan about chronicling their journey on TV.

“It was one of those things that happened,” says Ryan. “We didn't desperately go out and chase it; it just kind of landed in our lap. And it made a lot of sense.”

Adds McAllister: “If you're looking for sports, you go to a sports channel. We loved Cottage Life magazine. It is so beloved in Canada as one of those great brands. It just felt right.”

Filmed last year, Colin & Justin's Cabin Pressure follows the pair as they uncover one surprise after another. Although their cottage seemed perfect and in no need of repair at first, that soon changed.

“What we found out was that what we thought [was] a 'beauty queen' cottage was absolutely nothing short of being a pig in lipstick,” Ryan concedes. “Everything we thought we were buying was rotted. Everything we wanted to have in the cottage was falling apart."
Although the 13-episode series is about half-way through their reno project, Colin and Justin's Cabin Pressure still has plenty more in store for viewers as the real-life cottage season gets rolling in the weeks ahead. Still, cottage life “is not all fun and games,” says McAllister. “Thankfully, there are more highs than lows. And, at the end of it, there is a pot of gold!”

Colin & Justin's Cabin Pressure – Cottage Life – Tuesdays

(Cottage Life's national free preview continues until May 31.)

(First published in Channel Guide Magazine - May 2014)

Andrea Martin in "Working The Engels"

ON SCREEN:

WORKING THE ENGELS
Global -- Wednesdays


On Set With "The Engels"

Andrea Martin Is Playing Things
For Laughs Again

By Eric Kohanik

It doesn't happen as often anymore. Every once in a while, though, people still come up and tell Andrea Martin they're surprised she isn't actually a Canadian.

“It used to happen a lot more,” the 67-year-old Martin concedes. “I have a house in Toronto. And my kids were born here. And my career started here, really. I guess I'm a 'landed immigrant.' I consider myself to be a 'North American.' I feel privileged to have worked all over North America.”

Born in Maine, Martin has been surrounded by Canadians for years. She got her big break in Toronto in a 1972 stage production of Godspell that featured such Canadians as Eugene Levy, Victor Garber, Martin Short and Paul Shaffer. After that, she worked with the likes of Dave Thomas and John Candy in the Toronto chapter of Second City. That, in turn, led to a sketch-comedy series called SCTV: Second City Television, where Martin's roster of characters most notably included the indomitable Edith Prickley.

It's been almost 40 years since SCTV first hit TV screens. And Martin admits she often looks back fondly. As for a possible SCTV reunion, Martin waves off the idea.

“It was a special time,” she reflects. “We are all very protective of what we accomplished then.”

Martin has assembled many credits since those days – on TV, in movies and on stage. She is now back on TV in Working The Engels, a comedy series for Global that was also picked up in the U.S. by NBC.

The chance to do TV again was something Martin had been thinking about for a while. “I had spent a lot of time on Broadway doing Pippin,” she says. Her work as the title character's grandmother, Berthe, in the revival of the play won a Tony Award last year for best performance by a featured actress in a musical.

“Before that, I had done my one-woman show on stage,” Martin continues. “Doing all of that for such a long time was exhausting, so I was looking for something different. But I wasn't sure how long I would be able to be in Toronto. Then, this came along and it all worked out.”

Working The Engels is a broad comedy that casts Martin as Celia “Ceil” Engel, the matriarch of a family left in the lurch when Ceil's husband dies and leaves his law firm without a leader. Fortunately for Ceil, her youngest daughter, Jenna (Kacey Rohl), is qualified to run the practice. Unfortunately for Jenna, Ceil insists on working there, too. So do Jenna's pill-popping sister (Azura Skye) and her bad-boy brother (Benjamin Arthur).  

For Rohl, whose credits include mostly dramatic roles in such series as Hannibal and The Killing, the chance to tackle something comedic was a dream. “There aren't a lot of comedy productions in Vancouver,” the 22-year-old B.C. actress says. As for working with Martin, Rohl beams: “I've been like a sponge. I've learned so much.”

Meanwhile, Martin has lots of praise for her co-stars. “The chemistry was there instantly,” she says.

On this particular day, the show is near the half-way point in its 12-episode production schedule. Martin and Skye have been blocking out a hip-hop routine for an episode, improvising something different for every take. In the director's chair, trying to piece it all together, is none other than Jason Priestley.

Working The Engels also has an impressive guest roster in front of the camera for its debut season. Among the pack: Short, Levy, Jayne Eastwood, Colin Mochrie, Jennifer Irwin and Wendy Crewson.

Having familiar friends come back to work with her is something special for Martin.

It also makes her feel like things have come full circle.

“I feel almost like I've gone back to the beginning of my career,” Martin smiles. “We used to shoot SCTV at Global; this is for Global. I used to drive myself to the studio then; I drive myself to the studio now. Not much has changed in 40 years.”

Working The Engels – Global – Wednesdays 

(First published in Channel Guide Magazine -- April 2014.)

Paul Campbell stars in Spun Out

ON SCREEN:

SPUN OUT
CTV -- Fridays


Spun Out

Star Paul Campbell Hammers Away At His Career -- In More Ways Than One

By Eric Kohanik

Paul Campbell never thought he would be an actor.

“To be perfectly honest, my whole life, I thought I was going to be a carpenter,” the 34-year-old Spun Out star explains. “I started right out of high school. I started framing houses. But Vancouver is rainy eight months out of the year, and I got sick of being cold and wet.”

Born and raised in B.C., Campbell now divides his time between Canada and Los Angeles. And he likes to display his skills in some surprising ways.

If you want proof, check out the tongue-in-cheek mini-biography Campbell wrote about himself on IMDb.com. It's a clever entry that claims he made a deal with the Devil when he was 18 to trade his soul for a hammer.

“I still can't believe that one slipped by them,” Campbell laughs. “One of the biggest moments of my entire career is getting that bio up on IMDb.”

One of the other big moments right now is Spun Out, a CTV comedy series that revolves around Campbell as a copywriter at a public-relations firm populated by a quirky collection of characters. The show's ensemble includes Al Mukadam, Holly Deveaux, Rebecca Dalton, J. P. Manoux and Darcy Michael. Dave Foley rounds out the cast as the boss of the firm.

“Foley is such a pro,” Campbell says. “He walked into it like he'd been doing it for a million years. He is such a veteran and he is such a great member of the team. Just simply observing him, I probably learned more than I ever could taking any sort of acting classes.”

Nevertheless, it was a simple acting class that changed Campbell's career path.

“A friend of mine was taking some acting classes and said, 'Hey, this is really fun. You should come and do this,'” he recalls. “So, I took an acting class and that was it. I went back to work the next week and said, 'Guys, I'm packing up my tools and going to theatre school.' And I did.”

Six months after graduation, he landed his first major TV role, in the 2004 reincarnation of Battlestar Galactica. A steady stream of other credits have followed, including roles in NBC's 2008 revival of Knight Rider and a 2011 series for Showcase called Almost Heroes. Although that show was also a comedy, Spun Out is the first TV series Campbell has done in front of a studio audience.

“It's the first time I've done it for an extended period,” he says. “It really is the most thrilling way to do comedy. What excited me about this project is I love the idea of Canadians making great comedy. There is so much great talent in Canada. I was really, really happy to get on board.”

Campbell wasn't on any particular quest to do a sitcom when Spun Out came along. He was basically looking for his next job. “That's the life of an actor,” Campbell points out. “You're always looking for the next thing." 

That hasn't dulled his passion for acting, though. “Every day that I'm on set is my favourite day,” Campbell says. “I've never had a day that I wasn't thrilled to be working, whether it was a dramatic piece or a TV-movie or a big film. It doesn't matter where I am and who I'm working with. I love my job. I love what I do.”

That's not to say Campbell has given up carpentry. “I still love woodworking,” he concedes. “I do it all the time.”

In fact, since Spun Out wrapped production on its debut season, Campbell has been honing his craftsmanship down in L.A. “I build furniture,” he says. “And I build custom skateboards for people. Just sort of whatever interests me at the time.”

Spun Out – CTV – Fridays

(First published in Channel Guide Magazine -- April 2014.)

Enrico Colantoni is back in Remedy

ON SCREEN:

REMEDY
Global -- Mondays


Finding Middle Ground

Enrico Colantoni Straddles The Fence Between 
Comedy And Drama In "Remedy"

By Eric Kohanik

Enrico Colantoni admits he sometimes feels out of place when it comes to his career.

“I am still a man without a home,” the 51-year-old actor half-jokes inside his dressing-room trailer in downtown Toronto. “I have kids in Los Angeles. I have parents in Italy. But right now, there's nothing more rewarding than feeling appreciated by the people that I was born into. I was born in Canada. There's something huge about that. I don't think I would have done it any differently.”

Born in Toronto, Colantoni graduated from the Yale School of Drama in the U.S. and carved out a career in American television, from such comedies as Hope & Gloria and Just Shoot Me! to dramas including Veronica Mars and Person of Interest. But it was his five-year stint back in Canada, as tactical-police-squad sergeant Greg Parker on CTV's Flashpoint, that added another twist.

“Parker was fantastic. He was wonderful to play,” Colantoni recalls. “But after leaving that show, all I yearned for was something a little lighter.”

Longing for stuff on the other side of the fence isn't new for Colantoni. “I like exactly what I'm not doing in the moment,” he concedes. “A day didn't go by on Just Shoot Me! where I wouldn't go, 'I want to do something dramatic, single camera.' The good thing is I always get what I ask for.”

Colantoni figures he has found a good compromise in a new Global series called Remedy. The show revolves around fictional Bethune General Hospital, where the adventures of those interacting on the upper floors of the hospital occasionally intersect with the misadventures that occur in the basement of the building. Colantoni tops the ensemble as Dr. Allen Conner, the chief of staff who spends most days on the upper decks of Bethune General. At the opposite end is Frank Kanaskie (Patrick McKenna), who works in the basement as the supervisor of transport and housekeeping.

“There's a lot of an Upstairs, Downstairs dynamic to this show,” Colantoni says. “That's the tone of the show when those two worlds meet. Allen is constantly battling two worlds. I think that's what's going to set it apart from other medical dramas.”

The interactions often have comical consequences, which appealed to Colantoni. “The biggest reason I wanted to do it, from an acting perspective, is that there is comedy in it,” he explains. “It really is a hybrid. It's not the comedy of Just Shoot Me! It's not the drama of Flashpoint. It's right in the middle.

“There's an undertow to this show that makes me laugh. It's either built in with the dynamic of the relationship of the family members or, sometimes, it's just blatant comedy. That's what intrigued me.” Colantoni is also tackling other chores on Remedy; he is directing the sixth episode.

“To be able to see something from that perspective, it turns the light bulb back on,” Colantoni says. “Doors that were closed to me at one time are now open for me on this show. That just makes me feel like I'm welcome, that my opinions have value, that I have a stake in it. It's the pot of gold at the end of the rainbow.

“That's why I came back to Canada. I've gotten to play historic figures, heroic figures and, now, I'm allowed to direct an episode of a television show in its first season – in its first season! – which is unheard of and generous beyond everything I've ever experienced. That's what I love about being home.

“I'm Canadian again. I'm here. I want to stay,” Colantoni says, and then adds with a smile, “unless somebody wants me back in the States.”

Remedy – Global – Mondays

(First published in Channel Guide Magazine - March 2014.)

Cityline Celebrates 25th Anniversary

ON SCREEN:

CITYLINE
City -- Wednesdays
CITYLINE 25th ANNIVERSARY SPECIAL
City -- February 25



Blasts From The Past

Tracy Moore Marks The 25th Anniversary Of
"Cityline" With A Walk Down "Memory" Lane

By Eric Kohanik

It's “Fashion Friday” on Cityline and the studio audience is buzzing inside City's production centre in downtown Toronto.

Minutes before taping begins, host Tracy Moore chats up the crowd before choosing one person to undergo a makeover that makes jaws drop at the end of the show. After the taping is done, exhilarated audience members file out, still abuzz over what they've seen – and over their gift bags containing products highlighted on the show.

“I want to sit in that audience and get those prizes,” Moore jokes later.

Cityline has been a daytime staple for a quarter-century, growing from a local show to a popular fixture across Canada. With most episodes featuring themes – including “Around the House,” “Family Day,” “Home Day” and “Fashion Friday” – the show has built its following with the help of a lengthy roster of lifestyle experts who make regular guest appearances.

Cityline will celebrate its 25th anniversary with a primetime special on Feb. 25. Hosted by Moore, it will showcase highlights pulled from Cityline's archives.

“It's going to be a walk down memory lane, for sure.” Moore says.

At the helm of Cityline for just over five years, the 39-year-old Moore is the third regular host in the show's history. Although Dini Petty headlined the show when it launched, it was Marilyn Denis who was the face of Cityline from 1989 until 2008.

Amid the complex division of media assets after ChumCity (then City's parent company) was acquired by CTVglobemedia (now Bell Media) in 2007, Denis (also a morning-radio co-host on Toronto's CHUM-FM) ended up in CTV's bullpen. The network eventually launched The Marilyn Denis Show in 2011, using a format similar to Cityline.

Citytv and Cityline, meanwhile, became part of the Rogers media empire. After Denis' departure in May 2008, the show used a series of guest hosts before making Moore the regular host in October.

“It's been a good run,” Moore reflects. “I don't even think we thought it was going to be this amazing. It's really turned out well.”

A married mother of two, Moore started her career as an intern at CTV before becoming a videographer at CBC. She worked in news at CBC Newsworld (now called CBC News Network) and Toronto 1 (now known as Sun News) before jumping to City's Breakfast Television as its reporter and backup news anchor. After taking time off to have her first child, Moore decided to switch gears, becoming one of Cityline's guest hosts before landing the gig as regular host.

Coming from a news background, Moore says it was “about a year-and-a-half” before she felt comfortable in the role. “It's such a big show that, for the first few months, you're trying to figure out who these guest experts are, what the tone is supposed to be, and how to deal with a live audience,” she says. “Doing a live lifestyle show is about instant reaction and that's a tough transition. It took a few months to really understand how Cityline connects with viewers.”

Cityline's longtime supervising producer, Chrissie Rejman, disagrees with how soon Moore caught on. “It was over the course of a month,” Rejman insists. “Tracy was laughing. She was forgetting that she was 'interviewing' somebody and, instead, she was having a conversation. That was the difference. That's what we looked for.”

Rejman is effusive in praising how Moore connects with viewers – and the studio audience. “What Tracy is absolutely fantastic at is she's always willing, after the show, to have her photo taken,” says Rejman. “That personal contact with everybody is a really important ingredient.”

For her part, Moore says she is just trying to be herself. “With television being the way it is right now, people need a little bit of levity with their information,” she says. “This is what I get from the audience.

“They have a date with us every morning. They trust us. And we take that very seriously.”

Cityline – City – weekdays

Cityline 25th Anniversary Special – City – Feb. 25

(First published in Channel Guide Magazine - February 2014.)

CBC is back in Olympic spotlight

ON SCREEN:

2014 WINTER OLYMPICS
CBC and other channels - Beginning Feb. 7


Going For Gold

After Almost Six Years On The Sidelines, 
CBC Jumps Back Into The Olympic Spotlight

By Eric Kohanik

It's been close to six years since CBC was the official Canadian broadcaster for the Olympics. And, for CBC Sports Weekend host Scott Russell, sitting on the sidelines for the 2010 Winter Games in Vancouver and the 2012 Summer Games in London wasn't easy to stomach.

“It was, personally, tough to be out for two Olympics,” Russell admits. “Although I went to Vancouver and to London, it was in a much different role. We're so happy to be back in the Olympic broadcasting business at CBC. We couldn't be more excited.”

CBC once had a lengthy run of Olympic coverage. Before the CTV/Rogers Olympic Consortium scooped up rights to Winter 2010 and Summer 2012, CBC had billed itself as “Canada's Olympic Network” since 1996, broadcasting the Winter Games in Nagano (1998), Salt Lake City (2002) and Turin (2006) as well as the Summer Games in Atlanta (1996), Sydney (2000), Athens (2004) and Beijing (2008).

CBC unveiled its broadcast team for the 2014 Winter Games in Sochi at the network's headquarters in Toronto back on Oct. 30 as it kicked off a 100-day countdown to the opening ceremonies on Feb. 7. Chief news anchor Peter Mansbridge and Hockey Night in Canada veteran Ron MacLean will cohost coverage of the ceremonies from Sochi's Fisht Olympic Stadium. CBC's English-language Olympic telecasts will then be split into four major dayparts.

Diana Swain and David Amber will co-host Olympic Morning each day, while Russell will man the anchor desk for Olympic Daytime. MacLean will take on evening hosting duties on Olympic Primetime, while Andi Petrillo and Andrew Change will co-host Olympic Overnight.

Time-zone differences will be a major factor. Many live events will air during the mornings and afternoons in Canada. And that will actually put Russell and his Olympic Daytime telecasts into a “prime” spotlight.

“There's a lot going on in that time slot and that's perfect,” Russell says. “We'll be moving around from venue to venue in order to capture as many things as we can that are going on, live.”

CBC's mainline TV coverage will be supplemented by TSN, TSN2 and Rogers Sportsnet and Sportsnet One as well as CBC News Network. Radio coverage will be divvied up between CBC Radio and TSN Radio, while French-language TV coverage will be split between Radio-Canada and RDS.

Meanwhile, online coverage at cbc.ca/olympics will also offer a wide variety of video content. Most notable among that will be live online streaming of Olympic competitions.

There have been a lot of technological and social-media innovations since the last time CBC was Canada's official Olympic broadcaster. And Russell admits that will mean new challenges.

“I mean, the last time we covered the Olympics, in Beijing, I'm pretty sure that the iPad didn't exist,” Russell jokes. “I'm also positive that Twitter was not a factor, right? So, this immediacy is a challenge. And the multi-platform situation is also a challenge.

“But I think it's something we've concentrated on at CBC. The way we approach Sports Weekend is now very much a multi-platform strategy. And that's the way Canadians want to consume the Olympics. They need the information as it happens.”

CBC has high ratings hopes for its coverage in Sochi. No wonder. Canadians have always had a fondness for the Winter Games.

“We have this feeling of being a winter nation,” Russell muses. “We are able to race down the mountains, to play on frozen ponds. So, yeah, these are Games that we are comfortable with. And we are comfortable being at the head of the class in the Winter Games.

“I think that's the way the country is built. We are a country of extremes. Our geography lends itself to playing outside in the winter, and to hockey and skiing and curling and all of these things that are about us as Canadians. And so I think it's only natural that, when it comes to the Winter Games, we sit up and take notice.”

2014 Winter Olympics – CBC and other channels – beginning Feb. 7

(First published in Channel Guide Magazine - February 2014.)

Murdoch Mysteries

ON SCREEN:

MURDOCH MYSTERIES
CBC -- Series premiere Jan. 5;
Mondays beginning Jan. 6


Top Cop

Yannick Bisson Continues To Shine As 
The Artful Detective Of "Murdoch Mysteries"

By Eric Kohanik

It's a sunny fall day and there is much to celebrate inside Toronto's Sullivan Studios.

Production is almost done on another season of Murdoch Mysteries. Over on the police-station set, Yannick Bisson is wrapping up his scenes as William Murdoch, the Victorian-era detective whose artful sleuthing helps solve the cases facing the Toronto Constabulary each week.

“It seems everything gets the most intense and the most difficult in the last week,” the 44-year-old Bisson concedes during a break.

A 30-year acting veteran, Bisson has a fondness for Murdoch. “It's certainly been the most rewarding role yet,” the Montreal native says. “We've had some pretty big setbacks happen for him. There's been a bit of a glass ceiling for him in terms of how far he can go in his career. Between that and romance, he's taken a few hits.”

Bisson is backed by a solid ensemble, including Thomas Craig as Inspector Thomas Brackenreid, Jonny Harris as Constable George Crabtree, Hélène Joy as Dr. Julia Ogden and Georgina Reilly as Dr. Emily Grace. Nevertheless, Bisson grapples with certain challenges.

“It's always been relatively easy to do,” he says of recreating the show's historical feel. “You show up and they've got these great clothes that sort of bundle you in. You flip across the parking lot onto a set that they've put so much effort into. The scripts are so wonderful. You really do step out of your trailer and step back in time.

“That part is easy. The toughest part for me is the endurance. In one day, we do three times the average person's workday, just by virtue of the hours, the intensity and the speed that we work at. So, in five months, you can get burned out. You have to take care of your body. You've got to stay fit, exercise a lot, get out in the sun and recharge.”

The end of any show's season is enough to fuel a wrap party. But there are a lot more reasons to celebrate now.

Based on the Detective Murdoch novels by Maureen Jennings, Murdoch Mysteries is now in its seventh season, but only its second on CBC. The show had been in the domain of Rogers Broadcasting, airing on its chain of Citytv stations. Although it was successful, Rogers executives decided the series no longer fit their revamped City brand. They pulled the plug after the fifth season.

“It was definitely a low point,” Bisson told a Toronto crowd of fans in November, after a screening at the inaugural Canadian International Television Festival. “We had done five years. We had good ratings, really solid ratings. It was real disheartening. It was discouraging.”

That didn't last long. According to producers, CBC called 24 hours after Rogers ditched the show.

A ramped-up publicity campaign by CBC took “Murdoch Mysteries” to new heights of popularity last season. The network then boosted the usual 13-episode order to 18 this season. After a break for the Winter Olympics next month, the series will resume with its extra instalments.

“It's certainly a new outlook,” Bisson says back on the set. “It's been fun doing the show for somebody who wants it.”

With 1.6 million viewers (including regular TV, on-demand viewing and online streaming), Murdoch Mysteries is Canada's top-rated homegrown drama. But its reach goes farther. The show airs in more than 100 international markets – including the U.S., where it was recently picked up by Ovation, which is airing all 96 episodes of the seven seasons under a different title: The Artful Detective.

Whatever the moniker, the exploits of Detective William Murdoch and company continue to shine brightly. And although Bisson has worked in the U.S., the Murdoch Mysteries resurgence has refuelled his passion for Canadian TV.

“I think, artistically, we have much, much better product,” Bisson says. “Also, you know, I'm a Canadian. I'm very much loyal to that. I'm very much a proponent of the Canadian industry. It has given a lot to me. And I have a lot to give back.”

Murdoch Mysteries – CBC – Mondays

(First published in Channel Guide Magazine - January 2014.)

The Best Laid Plans

ON SCREEN:

THE BEST LAID PLANS
CBC -- Series premiere Jan. 5;
Mondays beginning Jan. 6



Party Animals

Ottawa's Backroom Shenanigans Get 
A Playful Political Jab In "The Best Laid Plans"

By Eric Kohanik

Jonas Chernick admits he hasn't really paid much attention to the scandals, backroom dealings and other political-party shenanigans that take place on Parliament Hill.

“I can honestly say that, while I knew that went on, it wasn't something that I've ever had an interest in personally,” the 40-year-old Winnipeg-born actor confesses. “I'm not the most political person. I keep myself aware of what's going on. And, of course, I vote. But I'm not a political junkie.”

Nevertheless, when the chance came along to play the political junkie at the core of The Best Laid Plans, Chernick didn't waste any time. He began his campaign to land the role with full force.

“I kind of lobbied for it at first when I heard that the show was going into production,” explains Chernick, who is perhaps best known for doing triple duty as writer, producer and star of a 2012 Canadian movie called My Awkward Sexual Adventure.

“I said, 'I know the story. I know the character and I think I'm right for this.' It was kind of a match made in heaven right away. I really feel like this is one of the best projects I've ever been involved in.”

The Best Laid Plans is a six-episode series that premieres Jan. 5 on CBC, with the remaining instalments airing on Mondays, beginning Jan. 6. Based on the novel of the same name by Terry Fallis, the series takes a lighthearted look at the behind-the-scenes lunacy that often infiltrates the political arena in Ottawa.

The production casts Chernick as Daniel Addison, a down-to-earth guy with a Ph.D. in English who has a passion for teaching but has been working as a speechwriter for George Quimby (Mark McKinney), the Leader of the Opposition.

An ethical guy at heart, Daniel gets overwhelmed by the backroom hijinks of the Hill, not to mention certain backroom "manoeuvring" involving his girlfriend, Rachel (Sarah Allen). And so, he decides to head back into the academic world, where he would be safe from the backstabbing he has endured. Or, at least, so he thinks.

Blackmailed into completing one final assignment by his boss – Quimby's chief of staff, Bradley Stanton (Raoul Bhaneja) – Daniel agrees to recruit and work for a candidate who will challenge the stronghold of a longtime political incumbent (Peter Keleghan). He soon discovers that finding a suitable candidate – or even a less-than-suitable one – isn't so easy.

Many current comedy series rely on documentary-style formats that have characters being “interviewed” to offer comments on their storylines. The Best Laid Plans takes a slightly different approach, using a more traditional theatrical device of breaking down the “fourth wall” by having Daniel (who also narrates the story) turn directly to the camera in various scenes.

“That was really fun and unusual,” Chernick recalls. “I had never done that before. I'm a real fan of that style. One of my favourite movies ever was Ferris Bueller's Day Off. That was the first time I became aware of that storytelling strategy. I spent a lot of time in my prep thinking about and exploring my character's relationship with the audience. That was a unique and exciting discovery for me – and really fun to play.”

The Best Laid Plans is brimming with familiar faces. Among them: Eric Peterson (Corner Gas), Jodi Balfour (Bomb Girls), Leah Pinsent (Made in Canada), Sonja Smits (Traders) and, of particular note, screen veteran Kenneth Welsh – who, without giving too much away, puts in a show-stealing performance as Daniel's gruff and grizzled landlord, Angus McLintock.

Chernick is effusive in his praise for Welsh. “Ken is literally a living legend,” he says. “He is one of the greats in the industry. Acting with him, across from him, is like a master class in film acting because he is truly a natural. When the cameras are rolling on him, anything can happen.

“It's just miraculous to be there with him when that magic is happening.”

The Best Laid Plans – CBC – Series premiere Jan. 5; 

Mondays beginning Jan. 6 

(First published in Channel Guide Magazine - January 2014.) 

Battleground's comical look at elections

ON SCREEN:

BATTLEGROUND
Super Channel 1 - Mondays


Trail Rides

"Battleground" Offers A Comical Look
At The Roller Coaster Of Election Campaigns 

By Eric Kohanik

Election campaigns can be funny things. Just ask J.D. Walsh.

Although Walsh has a solid list of acting credits, including guest stints on TV shows ranging from Two and a Half Men to The Crazy Ones, it was his real-life stint as a campaign worker during John Kerry's 2004 presidential bid that led him to a role as creator/executive producer.

Walsh's brainchild is Battleground, a clever, documentary-style comedy series that made its Canadian debut Nov. 18.

“It was soul-crushing,” Walsh says of his ride on the campaign trail. “There was a guy there who kind of took me under his wing and kind of showed me the ropes of, like, 'This is how the campaign works.' And he knew all this kind of, like, secret stuff. This guy was kind of my window into the world, and what that life is like.”

Battleground spins its fictional yarn around a group of misfits working on an election campaign in Wisconsin. Jay Hayden stars as Chris “Tak” Davis, the campaign manager toiling to get Deirdre Samuels (Meighan Gerachis) elected to the U.S. Senate. The show's ensemble cast includes Jack De Sena as speechwriter Cole Graner, Teri Reeves as media strategist Kara “K.J.” Jamison, Alison Haislip as tech whiz Ali Laurents and Ben Samuel as campaign newbie Ben Werner.

The show's documentary style is reminiscent of such other TV comedies as The Office or Modern Family. But there's a twist to Battleground. It's a series originally made strictly for the Internet.

Battleground was actually the first foray into scripted programming by Hulu, a video-streaming site based in the U.S. The series premiered there last year and was recently picked up by Super Channel for TV viewers across Canada.

A tight, web-oriented budget meant things had to be done quickly. “We wrote all 13 episodes and then shot them as a movie,” reveals Walsh, who puts in cameo appearances as the filmmaker within the show. “Essentially, we shot three movies in a period of eight weeks.”

The tight budget and shooting schedule don't detract from Battleground. It has production values similar to big network TV shows, but its roots as a web series allowed for a freer creative environment.

“It felt very comfortable immediately,” Hayden recalls. “We were able to stretch as actors and really tell the story that J.D. wanted us to tell.”

Haislip echoes the sentiment. “There was an ease and a flow on set that allowed for a lot of creativity,” the actress says. “J.D. actually came up with this brilliant thing. After every single shot set-up, when he got what he wanted, he gave us an 'unusable' take, and that was, 'Do whatever the hell you want. Just go for it.'

“We were able to get these moments of gold because we weren't thinking about the script anymore. We weren't thinking about what we were told to do. We were thinking about how can we make this even more ridiculous and more hilarious. It's amazing how many of those unusable takes actually made it into the show.”

Other distinct features include the show's on-camera interviews with characters, which appear to take place well after the campaign has ended.

“The idea behind it is we wanted to give it time and distance and space,” Walsh explains. “Because that would allow the people who are being interviewed to, occasionally, not remember exactly how it worked, or possibly still be 'spinning it.' And then we would actually see what happens.”

Not everything is played for laughs. Walsh's campaign experience inspired him to tell stories from varied perspectives.

“All of those people just go from campaign to campaign,” he says. “You can't live a life that way. You can't live a real life. So, that's the struggle that you see in this show, with Tak and his wife at home. She wants a real life.

“What we're trying to do on this show is as real as possible … to find out what the day-to-day struggle is like, what the roller coaster is like.”

Battleground – Super Channel 1 – Mondays

(First published in Channel Guide Magazine - December 2013.)

Deck The Halls with Holiday Specials

'Tis The Season 

December Brings Its Usual Plethora
Of Holiday Specials. Here Are
Some Gotta-See Attractions
To Mark On The Calendar

By Eric Kohanik 

Deck the halls! The yuletide season is approaching and, of course, that means December's TV schedules are filled with the usual torrent of holiday programming.

We've sifted through most of the merry mix to come up with some shining lights and gotta-see attractions to help make your season bright ...

A Pitchin' In Christmas 

Chef Lynn Crawford is inviting her extended family of Pitchin' In friends over for Christmas, and they're bringing some of her favourite ingredients, including heritage turkey, roast rack of Canadian lamb, and figs for her famous figgy pudding (Food Network Canada, Dec. 2) 

A Charlie Brown Christmas

The holiday season just wouldn't feel right without certain classics. Leading the pack: Charlie Brown's timeless quest to find the true meaning of Christmas and the help of his pal, Linus. (ABC, dec. 2 and YTV, Dec. 11)

CMA Country Christmas

Trace Adkins, Sheryl Crow, Kellie Pickler and a gaggle of other country stars gather in Nashville to share traditions, memories and songs in a two-hour concert showcase. (ABC, Dec. 2 and City, Dec. 7)

Gordon Ramsay's Christmas Cookalong Special 

When you think Gordon Ramsay, you might not think Christmas cheer, but the Hell's Kitchen chef is in the proper spirit for this special where he invites families to cook together to create a three-course festive feast. (Food Network Canada, Dec. 5) 

The Santa Claus Parade

If you missed the same-day telecast on Nov. 17, here's a couple of chances to catch Santa and the other attractions making their way down the streets of Toronto. (CTV, Dec. 7 and CTV Two, Dec. 8)

A Very Merry Mix-Up

Alicia Witt tops the cast of this fluffy new movie. She plays a young bride-to-be whose Christmas trip to meet her future in-laws becomes a comedy of errors. (CTV, Dec. 7)

The Great Christmas Light Fight

OK, why not have Christmas cheer duke things out with reality TV? This three-episode competition series has 20 families pimping out their homes to win big money. Fa-la-la-la-la. (ABC, Dec. 9, 16, 23)  

Dragons' Den Holiday Episode

How much more of a Scrooge could curmudgeonly money-bagman Kevin O'Leary possibly be? Wait and see. (CBC, Dec. 11)

Kelly Clarkson Christmas Special 

Pop star Kelly Clarkson will loosely base her yet-to-be-titled holiday special around Charles Dickens' A Christmas Carol and its underlying message of learning the true meaning of Christmas. (NBC, Dec. 11) 

Miracle on 34th Street

Take your pick of the 1994 remake starring Richard Attenborough (Dec. 12) or the original 1947 version featuring Edmund Gwenn (Dec. 25). Either way, Kris Kringle wins everyone over in the end. (CBC)

It's A Wonderful Life

Jimmy Stewart's performance as downtrodden George Bailey is worth seeing again. And again. (NBC and CTV, Dec. 14, 24)

How The Grinch Stole Christmas

Get out the Roast Beast. The original animated rendition of the Dr. Seuss tale is a treat for young and old. (CBC, Dec. 16)

I Love Lucy Christmas Special

Everything old is new again. Really. CBS has taken a newly colourized version of the seldom-seen 1956 Christmas episode of I Love Lucy and merged it with a colourized rendition of the “Lucy's Italian Movie” episode. The colours are a nice visual bonus; the laughs are still as classic as ever. (CBS, Dec. 20)

Rita MacNeil's Christmas

The late Rita MacNeil's charm lives on in this feel-good special from 2000. John McDermott, Patti LaBelle, Natalie MacMaster and the Barra MacNeils round out the musical celebration. (CTV Two, Dec. 22)

National Lampoon's Christmas Vacation

Sometimes you just need some silly laughs. And there are plenty in the yuletide missteps of Clark Griswold (Chevy Chase) and his family. (CBC, Dec. 22)

Scrooge

The famed 1951 film adaptation of A Christmas Carol showcases Alastair Sim in what is still the definitive portrayal of Ebenezer Scrooge. (CBC; Dec. 24)

Air Farce New Year's Eve Special

A longtime New Year's Eve tradition, this year-in-review romp by the Air Farce crew should have plenty of timely targets. (CBC, Dec. 31)

Gerry Dee New Year's Eve Special

Fans of CBC's Mr. D can catch comedian Gerry Dee yukking things up in preparation for the New Year. (CBC, Dec. 31)

New Year's Eve At Niagara Falls

Entertainment Tonight Canada hosts Cheryl Hickey and Rick Campanelli round up some of the music industry's hottest acts to ring in 2014 in this fifth annual coast-to-coast countdown from Niagara Falls, Ont. (Global, Dec. 31)

(First published in Channel Guide Magazine - December 2013.) 

Anna Silk's begins fourth season of Lost Girl

ON SCREEN:

LOST GIRL
Showcase - Sundays, beginning Nov. 10


"Girl" Talk

Anna Silk Faces New Challenges as 
"Lost Girl" Begins Its Fourth Season

By Eric Kohanik 

It's been a busy morning of pushing and shoving for Lost Girl star Anna Silk.

Inside one of the buildings that once housed the Lever Brothers factory near the Toronto waterfront, Silk, who plays succubus/heroine Bo Dennis on the supernatural series, has been locking horns on this late-September morning with guest star Linda Hamilton, who returns as ruthless assassin Acacia in the 11th episode of the upcoming season.

Lost Girl begins its fourth season Nov. 10 on Showcase with the first of 13 new episodes. Hamilton is part of a roster of guest stars that includes Kyle Schmid (Copper, Blood Ties), George Takei (Star Trek), Mia Kirshner (Defiance) and Ali Liebert (Bomb Girls).

When viewers last saw Bo, she had mystically disappeared in one of several cliffhangers in last season's finale. Bo's return will herald some big changes in the Fae world.

“Bo is a key player in the Fae world,” Silk says. “She doesn't even realize how key she is at this point.”

The new season also brings big challenges for Bo and those around her. But then, Bo has always had to face big challenges.

“What's been so great about Bo from the very beginning is that, no matter what, she has been a character with so much room for growth,” Silk reflects during a break in filming. “Because she started into this world brand new, she had everything to learn and every skill to learn and develop. So, that has been a real pleasure to play and a real gift.

“Our writers and creators come up with great stuff every season to keep challenging her. But, man, she never gets to rest! She always has to fight something.”

Exactly what Bo will fight is being kept super-secret. “I'm under lock and key,” Silk confesses. “Every season, I try to think of a handful of things I can say. And usually I have a good handful. This season, I have, like, no handful. And I've said this before in other interviews: The best way I can describe it is that you have to take everything you know about Lost Girl and turn it upside down, in every aspect of the show. With so many cliffhangers at the end of last season, the way that people might think it's going to go might not be the way it goes. Or it might be.”

Silk has a much easier time talking about changes that took place off screen between seasons, including the birth of her son, Sam, in May. So, how is mommyhood?

“It's wonderful. It's really wonderful. He's ridiculous,” Silk giggles as she shows a baby picture on her smartphone. “He's really a dream baby, as I'm sure every mother says about her baby. But he really is a pretty easy-going babe. He's a happy boy.”

As for whether parenthood has affected how she plays Bo, Silk isn't quite sure.

“I've always heard other actors say, 'Oh, being a parent changes how you perform.' And I think that's true because it opens up your emotions,” she says. “It opens up your heart in a broader sense. I feel I can't answer that question yet. I feel I need more time before I can really answer how it's changed. It's busier, for sure. And there's a lot more to balance, but it's really great.”

Parenthood seems to be a good fit for Silk, much in the way that Bo felt like a good fit to her right from the start.

“It definitely fit right away because I feel like, in my own life, I'm a bit of a late bloomer,” the 39-year-old New Brunswick native says. “And I've learned to kind of be proud of that. But I feel like Bo was so new and I felt like I was kind of new at taking on a leading role, and we kind of got to grow together, so it has felt very organic right from the beginning.

“And I've definitely learned from her. I'm way more tough in my own life now.”

Lost Girl - Showcase - Sundays, beginning Nov. 10 

(First published in Channel Guide Magazine - November 2013.) 

Filthy Gorgeous: The Bob Guccione Story

ON SCREEN:

FILTHY GORGEOUS
The Movie Network / Movie Central - Nov. 8


Ladies' Man

"Filthy Gorgeous" takes a revealing look 
at "Penthouse" founder Bob Guccione

By Eric Kohanik

The saga of Penthouse founder Bob Guccione is one of the most colourful in publishing history. And it came as a surprise to Canadian filmmaker Barry Avrich when he discovered, after Guccione's death in 2010, that the story wasn't being told.

“It was odd because I expected, within the year, there would be all kinds of bio-pics announced,” Avrich recalls. “And there was nothing, because no one knew him.”

So, Avrich set out to tell the story. The resulting documentary, Filthy Gorgeous: The Bob Guccione Story, launched at the Toronto International Film Festival in September, and Avrich was pleased with the response. He admits the story is sad: Guccione died penniless in a Texas hospital after a battle with throat cancer.

“It is a rise-and-fall [story],” Avrich reflects over coffee at a downtown Toronto espresso house. “It's tragic, [but] I don't know whether he would consider it tragic. Because, if you live for 79 years, and 74 of them are damn good, so be it. It was a great life.”

Born in Brooklyn and raised in New Jersey, Guccione briefly considered becoming a priest before setting off for Europe to be an artist. He eventually became famous for Penthouse, a men's magazine that began in England in the 1960s before taking aim at Hugh Hefner's Playboy empire in the U.S.

The success of Penthouse led to vast wealth and an opulent lifestyle that made Guccione, often decked out in gold chains, a notorious icon of hedonism in the 1970s and '80s. His success led to other ventures, ranging from movies (Caligula) and magazines (including Omni and Viva) to the development of nuclear-fusion energy and even a failed hotel/casino project in Atlantic City.

Along the way, there were ironic turns, ranging from Guccione's role as a righteous defender of the First Amendment to his decision to publish photos that would cause the first African-American Miss America, Vanessa Williams, to be stripped of her crown.

Filthy Gorgeous doesn't hold back in tracing the entire story in sometimes-stark detail. The documentary begins by warning viewers that it is filled with nudity, profanity “and some truth.”

The film is brimming with revealing interviews, ranging from Guccione's family (including sons Nick and Bob Jr.) to professional associates (including Alan Dershowitz and Xaviera Hollander). 

Particularly insightful are recollections of Guccione's personal assistant, Jane Homlish, and Victoria Johnson, who was 1978's Penthouse Pet of the Year and one of Guccione's lovers. 

“There were twists and turns for me,” Avrich says. “When I decided to make the film, I didn't know everything about him. I chose him because nothing had been done and I was curious.” 

That curiosity arose after Avrich was invited to screen his 2005 documentary, The Last Mogul (about Hollywood agent Lew Wasserman), at the Playboy Mansion.

“I was intrigued,” Avrich recalls. “After so many years, why is the Hugh Hefner brand, the Playboy brand, so powerful and the Penthouse brand is tattered and left in ruins, like a Shakespearean tragedy? So, I started to do some preliminary research. When Guccione died in 2010, that file moved to the front for me.”

It soon became clear there was a lot to the story. “He was a flawed genius, without a doubt,” Avrich says. “We're all flawed; few of us are geniuses. And that made him, for me as a filmmaker, really interesting.”

A native of Montreal, Avrich divides his time between making movies and running an advertising agency in Toronto. His credits include last year's Show Stopper: The Theatrical Life of Garth Drabinsky and 2011's Unauthorized: The Harvey Weinstein Project.  

Fithy Gorgeous is a compelling addition to that roster, particularly in light of how the story ultimately ends.

“The man died without a penny,” Avrich says. “Without a penny. Nothing to his name. Zero. 

“In that 200-square-foot hospital room in Plano, Texas, was this man with nothing but the name on the door. It's sad.”

Filthy Gorgeous - The Movie Network / Movie Central - Nov. 8

(First published in Channel Guide Magazine - November 2013.)

Melissa Grelo: The Cat Herder on The Social

ON SCREEN:

THE SOCIAL
CTV - Weekdays


The Cat Herder

Melissa Grelo Keeps The Talk 
On Track On CTV's "The Social"

By Eric Kohanik

It would be easy to lump The Social into a certain breed of talk show that has been growing on daytime TV.

But co-host Melissa Grelo doesn't want people to put CTV's new entry into the same paddock as ABC's The View or CBS' The Talk.

“We can use analogies and comparisons to The View all you want,” Grelo says. “But the reality is, we have a very distinctly Canadian perspective. A perfect example of that would be the gay-rights issue or, perhaps, the gun-control issue. These are issues that have a vastly different tone if you're talking about them north of the border vs. south of the border.

“And there's the fact that we've never had [on TV] a round table of Canadian women of varying backgrounds discussing the issues that matter not only to Canadians, but what everyone is talking about around the world.”

The Social airs live each weekday on CTV, with same-day rebroadcasts on CTV Two and E! The hourlong show features Grelo and her co-hosts – gossip blogger Lainey Lui, relationship expert Cynthia Loyst and entertainment reporter Traci Melchor – tackling each day's most talked-about issues, inviting viewers to join in via social media.

Grelo acts as the show's moderator, keeping the conversation going and keeping it on track. She often gleefully refers to herself as the “cat herder” on the show.

“We've got some very, very feisty, sassy women,” Grelo laughs. “This is exactly how everyone envisioned the show.”

Social media was also envisioned as a significant element on The Social. And, according to Grelo, that is where she and her co-hosts have an advantage.

“We are of that generation and we are definitely participants in this new world where people who are watching television are simultaneously on social media,” Grelo explains. “It's almost like one doesn't happen without the other. That's the centre point of our show.”

Of course, that can lead to some on-air juggling. But then, Grelo is no stranger to the demands of live TV.

Since 2008, Grelo has been the co-host of Toronto specialty channel CP24's morning show, CP24 Breakfast. She also co-hosted CTV's live Olympic Morning telecasts from Whistler, B.C. during the 2010 Winter Olympics. Add that to stints as a news anchor, fill-in host, reporter, entertainment correspondent and weather/traffic reporter and you quickly get the sense that Grelo can tackle any topic on The Social.

A self-confessed news junkie, Grelo didn't always see TV on her career path. In fact, she had set her sights on teaching at an early age. “I started teaching horseback riding when I was a kid,” Grelo recalls. “Teaching was something that came very naturally to me.”

After pursuing degrees in psychology and education, she embarked on a short stint as a teacher before shifting her focus to journalism. “For someone who's always been a news junkie, I never considered it a career,” Grelo confesses. “Then I realized, 'Wait a second, here's a very similar skill set.' I love writing. I love reading.”

And now, she loves combining her duties on CP24 Breakfast with her role on The Social – even if it means her days get pretty hectic. 

“It's insane,” Grelo concedes. “That's my middle name these days. But I'm so excited. It's something I've wanted to do for a really long time.

“I first talked to the network about a show kind of like this a couple of years ago. To actually see it happening, it's a dream come true.”

The Social - CTV - Weekdays 

(First published in Channel Guide Magazine - October 2013.)